After years of working as an otologic surgeon, it remains a wonder to me that the biological phenomenon of hearing exists. Sound is a direct consequence of the world set in motion, of vibrations that are invisible to the eye. The human auditory system is exquisitely attuned to these vibrations which surround us. Within the cochlea, acoustic energy is converted into fluid waves that are detected by hair cells, which perform the extraordinary feat of sensory transduction. Through transduction, sound is converted into electrical signals and passed through the 'wires' of the auditory nerve to the brainstem and auditory cortex. The speed of this process is astonishingly quick, requiring less than 10 milliseconds between the sound entering the ear canal and its reassembly in our brains. From there, additional areas of the brain are recruited to help us interpret the sound, whether to warn of us impending danger, identify the presence of our children, or to understand the physical environment that surrounds us.
Humans have developed two additional distinctive specializations based on sound: spoken language and music. Although it has been debated whether speech or music emerged first, both are complex systems of auditory communication that utilise abstract patterns of vibration in order to convey meaning. Both language and music have persisted throughout human history across cultures. Along the way, these parallel systems became further specialised to excel in conveying certain kinds of information. For language: the ability to convey thought and semantic meaning through syntax and a shared vocabulary. For music: the ability to convey emotion and meaning without the need for vocabulary or clearly defined semantics.
Auditory processing transforms sound, inanimate and abstract by nature, into a central feature of the human experience. Hearing connects us to the world and to one another. Unfortunately, this capacity is not fully intact in all people, with hearing loss affecting approximately 360 million people, or about 5% of the world's population. Cochlear implants represent an important advance in our ability to combat disorders of hearing by separating the transmission of sound to the brain from the function of the normal cochlea. It has been a marvel to observe and participate in the remarkable accomplishments of electric hearing, which has provided meaningful, useful sound to hundreds of thousands of people around the world with severe to profound hearing loss.
Yet we are far from completing our work. The number of people that would benefit from implantation dwarfs the number that have actually received implants. While cochlear implants have been tremendous for enabling speech perception, music remains a considerable challenge. Of the two major forms of auditory communication, music is substantially more complex than language. In this regard, music represents the pinnacle of hearing. If one can hear music, one should be able to hear anything. For the field of cochlear implantation, the most important lesson here is that targeting music may be the way forward for us eventually to accomplish the elusive goal of perfect hearing restoration. More than any other form of sound, it is music that will likely guide us to provide electrical nerve stimulation with an accuracy and quality that matches what takes place in normal hearing. Through the combined efforts of patients, scientists, audiologists, physicians, educators, speech therapists, musicians, surgeons and many others around the world, I look forward to getting closer to that goal with every passing day.